Best Photo

Best Photo

Hello, These Photos are what I consider to be the best I have ever taken the first three photos werer of a corner at the Monterey Bay Aquarium. I wanted to emphasize line, spot, and background in this photo.

The two photos below it are others I have taken that I believe to be good. Please note that I was unable to use a tripod when shooting all three so some blur was inevitable.

best photo

Date 11/20/10 Photographer Tarryn Nelson
Subject Chevy
Project or Client best photo
Camera cannon powershot sx 130 is
Camera Mode Setting P
Tripod YES
Focus AUTO

Distance to Subject 4-5 feet
Exposure Compensation -1, 0, +1, -1, 0, +1
Aperture f4.5, 4.5,4.5,4.0,4.0,4.0
Shutter Speed 1/500, 1/250, 1/640, 1/100, 1/320, 1/200
ISO 80,80,400,80,80,80
Shutter Release manual
Other Settings none
Light Sources/Type light
White Balance Setting auto

my first photo is just a photo that I took in class and thought was really cool. the next two images are of the truck in my backyard, the side view I though was cool because with the right exposure you could see the water drops on the grass. with the rear view of the truck I was trying to emphasize the rule of thirds and color contrast.

Best Photo

Photographer: Sarah Newman
Subject: Cory and his dog
White Balance: vivid
ISO: 80
1/300
f3.2
light source: daylight
tripod: no
bracket:-1,0,+1

Best Shot

Photo#1
Photographer: Jessica Alcocer
Subject: Mother
Project or Client: Silhouette
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: Macro
Distance to Subject: 2 feet
Exposure Compensation: +1
Aperture: f2.8 Shutter Speed: 1/300 ISO: 80
Shutter Release: Manual
Light Sources/Type: Sunlight
White Balance Setting VIVID


Photo#2
Photographer: Jessica Alcocer
Subject: Thanh
Project or Client: High Key
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Distance to Subject: 1 feet
Exposure Compensation: +1
Aperture: f2.8 Shutter Speed: 1/200 ISO: 100
Shutter Release: Manual
Light Sources/Type: Fluorescent H
White Balance Setting VIVID

Photo#3
Photographer: Jessica Alcocer
Subject: Thanh
Project or Client: High Key
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Distance to Subject: 5 feet
Exposure Compensation: +2
Aperture: f2.8 Shutter Speed: 1/200 ISO: 100
Shutter Release: Manual
Light Sources/Type: Fluorescent H
White Balance Setting VIVID

Photo#4
Photographer: Jessica Alcocer
Subject: Jessica
Project or Client: Color (Color Splash)
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Exposure Compensation: +1/3
Aperture: f2.8 Shutter Speed: 1/60 ISO: 80
Shutter Release: Manual
Light Sources/Type: Tungsten
White Balance Setting VIVID

Photo#5
Photographer: Jessica Alcocer
Subject: Backyard
Project or Client: Silhouette
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Distance to Subject: 25 feet
Exposure Compensation: +2
Aperture: f2.8 Shutter Speed: 1/600 ISO: 80
Shutter Release: Manual
Light Sources/Type: Sunlight
White Balance Setting VIVID

Photo#6
Photographer: Jessica Alcocer
Subject: Kaitlyn
Project or Client: Color
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: Macro
Distance to Subject: 6 feet
Exposure Compensation: +1
Aperture: f2.8 Shutter Speed: 1/60 ISO: 80
Shutter Release: Manual
Light Sources/Type: Tungsten
White Balance Setting VIVID
[ I took this photo around the last week before break, I thought it be good for color ]

Best Shot!

STUDENTS: Your assignment is to use all that you have learned this semester to compose and shoot an interesting and aesthetically pleasing photo. Be sure to bracket the photo. Most importantly, take a lot of photos and have fun! See you on Monday, Ms. Y