
Photo#1
Photographer: Jessica Alcocer
Subject: House
Project or Client: Frame
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Distance to Subject: 20 feet
Exposure Compensation: 0
Aperture: f2.8 Shutter Speed: 1/200 ISO: 100
Shutter Release: Manual
Light Sources/Type: Sunlight
White Balance Setting VIVID

Photo#2
Photographer: Jessica Alcocer
Subject: House
Project or Client: Frame
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Distance to Subject: 20 feet
Exposure Compensation: +1
Aperture: f2.8 Shutter Speed: 1/80 ISO: 100
Shutter Release: Manual
Light Sources/Type: Sunlight
White Balance Setting VIVID

Photo#3
Photographer: Jessica Alcocer
Subject: House
Project or Client: Frame
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Distance to Subject: 20 feet
Exposure Compensation: -1
Aperture: f2.8 Shutter Speed: 1/320 ISO: 100
Shutter Release: Manual
Light Sources/Type: Sunlight
White Balance Setting VIVID

Photo#4
Photographer: Jessica Alcocer
Subject: Car
Project or Client: Frame
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Distance to Subject: 12 feet
Exposure Compensation: +1/3
Aperture: f8.0 Shutter Speed: 1/100 ISO: 100
Shutter Release: Manual
Light Sources/Type: Sunlight
White Balance Setting VIVID

Photo#5
Photographer: Jessica Alcocer
Subject: Car
Project or Client: Frame
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Distance to Subject: 12 feet
Exposure Compensation: -1/3
Aperture: f8.0 Shutter Speed: 1/125 ISO: 100
Shutter Release: Manual
Light Sources/Type: Sunlight
White Balance Setting VIVID

Photo#6
Photographer: Jessica Alcocer
Subject: Car
Project or Client: Frame
Camera: Cannon PowerShot SD750
Camera Mode Setting: Auto
Tripod: NO
Focus: INFINITY
Distance to Subject: 12 feet
Exposure Compensation: 0
Aperture: f8.0 Shutter Speed: 1/80 ISO: 100
Shutter Release: Manual
Light Sources/Type: Sunlight
White Balance Setting VIVID
Both of these are really good examples of framing. i like the tone they set.
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